![]() Great for standard stage/studio work, the synth is very cool strapped as a guitar (it is also battery operated) for a stand-up stage performances. You can create lots of new sounds, notably percussive sounds. It has oscillators with 4-note polyphony, a built-in noise and ring modulation and is MIDI equipped with 4 monophonic multitimbral parts. Four Portamento adds classic glide effect. It also has four types of vibrato settings, a simple LFO-type section with triangle, square, ramp up or down waveforms as well as rate, depth and delay settings. It uses Phase Distortion (PD) synthesis for the great sounds, similar to the Yamaha DX synthesizers. It is equipped with a 8-stage envelope design. Used by many famous bands (Erasure, Radiohead among others), it is a digital synth with great programming capabilities and a nice variety of analog-like traits and sounds. The keyboard is in great condition electronically with normal usage scuffs. "This is a very nice, vintage 1980's Casio CZ-101 keyboard, a cool, smaller version of the Casio CZ-1000/CZ-3000. Into a PATCH, only CHORUS & Reverb Hall were used.īTW I designed these collections with 30+ years experience. Synths, Drum Machines, Music Workstations, Apps.)Īnd it's CHEAP!!!!! UNDER $20!!! Save money & SOUND GREAT!!!!Īll Samples demoed here are STEREO. WAV files!! (DAWs, Samplers, Grooveboxes, ![]() So fun & SO THICK sounding on the ROLAND FANTOM-S!! These all are BASS, STRINGS, PADS, BRASS & SWEEPS. Here is a list & time index of these custom DSI. They were then converted into CUSTOM PATCHESįor DEMO performance & for pleasure!! So easy to do! Samples were loaded into the ROLAND FANTOM-S Here is the budget-friendly Reverb SYNC OBERHEIM Synth Collection Sample Pack IN ACTION! MATRIX-6 & 1000 Synthesizer / Sampler Demo by Rik Marston **100% No Talking!!**Īll samples demoed here are available NOW at: "Reverb SYNC OBERHEIM Synth Collection Sample Pack" "ROLAND FANTOM-S + OBERHEIM MATRIX 6 Samples from Transmisser, space spiral, and caverns for the modular. Reface CP gets some processing from the catalinbread csidman and Strymon big-sky (not in picture). but other than that the melodies and tempo are completely random. I am as You can see controlling Penrose quantizer manually at times doing simple root note key changes. One rings channel goes into audio I/O the other through the morphagene for some glitchy time lag randomness. Penrose is quantizing MI rings notes coming in from the peaks, which is in LFO mode, and with a messy curve so sort of unpredictable. Modular: MI rings, sound source, LFO on brightness and damping. Machine controlling man, it is so beautiful. So what I am doing here is simply following the cues from the Turing Machine when its triggering, my brain is literally being controlled by the random strokes and strums you are hearing. This ambient track is about chance, the 2hp TM is strumming the MI rings module on a random basis, and I wanted the modular system to decide the tempo and mood of the track. "If you like my stuff please support me on and It's a great sounding VA with three full oscillators. The resolution for filter cutoff is high, so it takes a few turns of the knob to fully open it up. Tho things I wish Alesis included on the Ion were aftertouch and speed sensitive knobs. For those who want a versatile synth and can't afford the A6, this is the synth for you - arguably one of the best 'virtual-analog' synths for awesome, analogue-like sounds." Expression and sustain pedal ports as well as headphone jacks are also there. The ION keyboard contains 49 velocity-sensitive keys, 4 analog outputs and 2 stereo analog inputs (all balanced and using 24-bit conversion), 4 individual insert effects, a stereo master multi-FX processor, and an internal universal power supply. All parameters including arpeggiator settings are stored with each preset. Along with having 512 patch settings (all user-rewritable), the Ion has 64 multi-timbral setups. A 160x160 graphic display provides instant visual feedback as a parameter is edited. External stereo audio can be processed through the filters, effects, or the vocoder. A powerful and intuitive modulation matrix is built in, as well as a 40-band vocoder that does not use up any polyphony. 16 filter types are included, along with two LFOs, Sample & Hold, and an Arpeggiator-all of which sync to MIDI clock. It offers continuously variable wave shapes (sine waves can morph into square waves), plus osc-sync and FM synthesis. "The Ion has 8-voice polyphony with 3 oscillators per voice, and is 4-part multi-timbral.
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